![]() ![]() The left and right hand operate so independently that boogie-woogie often sounds as if it is performed by two pianists instead of one. Boogie-woogie has been called “8 over 4.” The main feature of this style is rhythmic virtuosity. In both, the right hand is kept free for melodic interpretation or improvisation. In the second, the left hand plays a walking bass line, outlining chords in a melodic fashion. In the first, the left hand plays full, moving chords. There are two distinct methods of boogie-woogie playing. Ostinato is a melodic figure that recurs throughout the music in the bass part. The most identifying feature is the eight beats to a bar that are played as an ostinato. The rhythm is based on playing eight beats to the bar. Boogie-Woogieīoogie-woogie is another piano style important in the evolution of jazz and came into prominence as early as the 1930s. The National Academy of Recording Arts and Sciences awarded him a posthumous Grammy in 1974. The pianist, who was almost completely blind, introduced advanced harmonies into jazz. Stride pianist Art Tatum (1909–1956) is commonly believed to be the most versatile piano player in the history of jazz. Johnson and is considered the most entertaining and exciting stride piano player. Thomas “Fats” Waller (1904–1943) also made important contributions to the Stride piano style. Johnson (1891–1955), considered to be the “father of stride piano,” was the most famous stride pianist. Stride pianists played faster and with much more drive than the relaxed players of ragtime. Third, the feeling of stride music was intense. Stride players were often very proficient improvisers and used this in their performance. Second, original ragtime was a composed music. First, stride players were not at all concerned with ragtime form and played popular tunes of the day. There are three basic differences between stride piano playing and ragtime. These include recordings of ragtime played today on a tack piano, repressing of old master recordings, and original recordings by old-timers like Eubie Blake. Ragtime is still played today and recordings are available from several sources. Here, the rhythm changed form a flat four to a two-four rhythm. ![]() Second, the rhythmic accentuation to the rags was carried over into Dixieland jazz. The first melody became the verse, the second and third melodies were omitted and the fourth became a repeated chorus and the basis for improvisation. First, the basic melodic concept of the rags was changed. Two important changes resulted from the blending of these styles. In Jelly Roll Morton, we see for the first time in jazz that the personality of a performing musician is more important than the material contributed by the composer. ![]() Morton was an excellent piano player, a creative and knowledgeable arranger, and a fair singer. He formed his own orchestra, Jelly Roll Morton and His Red Hot Peppers, and was an ideal ragtime bandleader. Although his boasting falls short of the truth, Morton’s contribution to jazz is nonetheless considerable. Morton claims that he originated jazz in 1902 as well as ragtime, swing, and other jazz styles. The best-known ragtime piano player is Jelly Roll Morton (1890–1941). He also composed a symphony and 2 operas. Known as the “King of Ragtime,” Joplin composed about 600 rags and published around 50 of them. Scott Joplin (1868–1917) was the most prolific composer of ragtime music. Ragtime flourished for over twenty years and players were both black and white. The general public first became aware of ragtime during a series of world’s fairs held in Chicago, Omaha, Buffalo, and other cities. The left hand played both bass and chords and the right hand the melodic parts. However, the music, with its use of syncopation, does have an “improvisatory feel.” Ragtime displays a definite separation of the hands at the piano. Ragtime, a solo style of piano playing, is considered to be outside the jazz tradition because it is composed before it is performed and involves no improvisation. Ragtime is said to have originated in Sedalia, Missouri. Please change your browser preferences to enable javascript, and reload this page. You must have javascript enabled to view this website. ![]()
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